Labounsky (organ and sacred music, Duquesne U. and former student of Langlais) discusses how the scope and quantity of Langlais's many instrumental, choral, and vocal compositions place him as one of the most important composers of the French post-Romantic school. She focuses particularly on the relationship of his music to important aspects and inspirations of his life his Roman Catholicism, physical handicap, Breton heritage, education, and family and friends (including his relationships with many important 20th-century composers). Contains excerpts from scores and a few b&w photographs. Annotation c. Book News, Inc., Portland, OR (booknews.com)
