Craft and Illusion : 250 Years of Costume Making in Britain

60.00 USD
Member Price
54.00
English

Product Description

A backstage look at the hidden world of costume making in Britain Craft and Illusion documents the generations of knowledge and know-how that underpin Britain’s dynamic and creative costume industry, and celebrates the vital contribution of costume makers to the history and culture of performance.  The book is divided into two parts. The first is a series of chapters about the histories of costume making in Britain, ranging from eighteenth century Drury Lane to 1980s Liverpool and the costume construction course established at Mabel Fletcher Technical College. A costume making manifesto from the School of Historical Dress introduces the second part, which comprises twenty three contributions from some of Britain’s most skilled and prolific costume makers and researchers. These include detailed accounts of costume making practice and process for classical opera and ballet, reflections on rich and rewarding careers in the sector, and creative meditations on the craft of costume making and its wider significance. The first major publication on costume making, Craft and Illusion invites readers backstage and into the hidden world of the workroom to witness the artistry and expertise involved in the production of costume for performance.

A backstage look at the hidden world of making costumes for performanceFrom tutus and tiaras to tacking and tailoring, Craft and Illusion documents the generations of knowledge and know-how that underpin this dynamic and creative industry and celebrates the vital contribution of makers to the history and culture of performance. The book opens with a series of chapters about the history of costume making in Britain, ranging from the earliest known recorded costume maker to 1980s Liverpool and the costume construction course established at Mabel Fletcher Technical College. A costume-making manifesto from the School of Historical Dress introduces the second part of the book, which comprises twenty-three contributions from costume makers. These take many forms, including detailed accounts of costume-making practice and process for classical opera and ballet, reflections on rich and rewarding careers in the sector, and creative meditations on the craft of costume making and its wider significance. This book, the first major publication on costume making, invites readers backstage and into the hidden world of the workroom to witness the craft and illusions involved in the production of costume for performance.

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