Between the late nineteenth and early twentieth century, Istanbul witnessed a cinematic revolution that carried profound implications for the way ideas of identity, nation, and gender were conceived. Re-examining film’s potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures and ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish film aesthetics. Consequently, this volume highlights how early cinema culture was not only shaped by ever-changing religious and cultural forces, but did itself shape contemporary debates about identity and cross-cultural exchange.
